On a street in Kortrijk, West Flanders, Russell Page designed gardens for three brothers: Franck, Jean and Carlo De Poortere. They are among his first projects in Belgium, a country in which he would become so active that he later declared ‘la Belgique, c’est moi’.
De Poortere residences on Wolvendreef, Kortrijk, West Flanders, Belgium
1952 to 1959
Archive of Garden Design Ref: RP/1/5/6
In 1952, the Belgian carpet manufacturer Franck De Poortere and his wife asked Russell Page to develop a new garden for their house at 28 Wolvendreef in Kortrijk (on the plans, Page uses the French spelling Courtrai). Starting, it seems likely, almost from scratch, Page broke down the site into a series of separate zones: a front paved area, a sunken garden, a kitchen garden, areas of lawn, shrubs, fruit trees and ponds. Although there are only three related plans in the archive (RP/1/5/6/1 to RP/1/5/6/3), together they show every element of the garden design. Three parallel rectangular bands are shown running perpendicular to the rear of the house: a large lawn is flanked on one side by the kitchen garden, and the shrub garden on the other. Each of these areas leads to a different water feature – a circular pond, rectangular pool and narrow canal – which in turn create their own rectangular water garden when viewed on the lateral axis. The individual areas were generally enclosed, and thus divided, by rows of hedges and yew trees.
It is a garden which Page chose to describe in some detail in The Education of a Gardener:
‘In front of the house and its paved terrace there is a plain stretch of grass with two or three trees planted for shade. At the far end of this lawn I made a large rectangular pool to reflect the sky and act rather like a sunk fence or ha-ha to separate the garden from the meadows beyond. High hornbeam hedges frame this lawn on either side, the one on the left hiding the kitchen garden, while that on the right forms one side of a rectangular hedged enclosure only about 150 feet long by 50 feet wide. I designed this whole space as a thickly planted garden of shrubs only. The basic pattern is very simple. I made a wide grass path down the middle and narrow grass paths next to the hedges on all four sides. These leave a long bed about eighteen feet wide on each side of the central pathway. I divided this bed into wedges by more narrow diagonal grass paths and then planted these quite formal beds with groups of flowering shrubs of all kinds from two to ten feet in height. These make a rich and interesting planting through which you can still sense the formal pattern which underlies the whole garden. I adapted this particular pattern from the William and Mary garden which lies next to the sunk garden at Hampton Court and which was originally designed as a formally planted parterre. The design remains though the beds are now full of overgrown shrubs. Within the formal limits of my pattern I felt free to work out plantings in which I had only to consider pictorial values from close to, and thus only in terms of the details of foliage and flower and habits of growth.’ (186)
Not mentioned specifically by Page in The Education of a Gardener, the drawings reveal several of the plants that he suggested for the garden (see RP/1/5/6/2 and RP/1/5/6/3 especially), including red leaved plum trees (Prunus pissardi ‘Nigra’), weeping willows (‘saule pleureur’) and a line of Hazel trees with daffodils and forget-me-nots (‘ligne de noisetiers avec narcisses et myosotis au pieds’).
The underlying structure of the garden remains largely as Page envisioned it to this day but, over the years, several areas have been modified by other garden designers, including Jacques Wirtz and Willem Bursens. The most significant example of these changes is the construction of a swimming pool and pavilion on the site of Page’s kitchen garden.
The garden was given listed status by Minister Geert Bourgeois in 2015, in order to protect it from planned demolition. It is now undergoing restoration under the supervision of the Flemish authorities for Monuments, overseen by Paul and Antoine Deroose, and they are using plans from the Russell Page Archive to return the garden to its original state. There remains some uncertainty, however, about aspects of Page’s design. For example, it is not known whether he planted the four large trees in the front garden and, if he did, the size to which he would have wanted them to grow. Such issues were reflected upon by the Russell Page Archive Council on a visit to the garden in 2018, an account of which can be read on the Garden Museum’s website.
Franck’s brothers Jean and Carlo, who were also involved in the successful carpet factory established by their father Louis, commissioned Page to design their gardens also. Less is known about these projects. The plans drawn up for Jean include two, very similar, of the whole garden (RP/1/5/6/4 and RP/1/5/6/5) as well as a detailed drawing of the oval water-lily garden (‘jardin avec nenuphars’) and the section of perennials (‘plantation plantes vivaces’) located nearby (RP/1/5/6/7 and RP/1/5/6/6). Only one, relatively informal, design for Carlo’s garden remains in the Page Archive (RP/1/5/6/8).
Literature
Bekaert, Piet and Arend Jan van der Horst. Tuinen in Vlaanderen. Die Keure, 1986.
Bekaert, Piet and Jean de Sejournet. Tuinen in België. Lannoo, 1990.
Page, Russell. The Education of a Gardener. Harvill, 1994.
van Zuylen, Gabrielle and Marina Schinz. The Gardens of Russell Page. Frances Lincoln Ltd, 2008.
Vizor, Rosie. “La Belgique – C’est à moi: The Russell Page Archive Council Visits Belgium.” Garden Museum, 9 November 2018, https://gardenmuseum.org.uk/la-belgique-cest-a-moi-the-russell-page-archive-council-visits-belgium/.